In
today’s panel-presentations, a lot of the discussion revolved around the
credibility of stories, conspiracy theories specifically. I certainly agree
with the conclusion that as more facts are presented, it ironically creates a
less believable narrative. This relationship functions because of the imperfect
nature of the world we live in, and the fact that nothing is really going to go exactly
as planned. So when an overwhelming number of facts align perfectly together,
it alerts any person and shows that the conspiracy theory has reason to be
doubted.
In
relation to Libra, the potential
overly perfect narrative of the JFK assassination is definitely absent, because
DeLillo believes that words will never capture the actuality of the moment
anyways, and leaves room for interpretation. When it was published, critics initially claimed
otherwise by saying that DeLillo is trying to convince of a completely wrong
story of events leading to the assassination. However, such critics
misunderstood DeLillo entirely, because he himself is aware of the impossibilities
in such a task with the unlimited information on the event. DeLillo gives us a
novel that has many representations as to what could have happened, which opens
up the range of interpretation. For example, his character Raymo is completely
fictional, but by including him, DeLillo acknowledges the entire category of people
who could have had a major role in the assassination plot but disappeared. Raymo
is a representation of all those people.
After
class, I was talking with Quyen about the discussion and something pretty
interesting happened. I opened up the conversation by talking about the idea of
coincidence in the novel and DeLillo’s approach to explaining it, and soon
enough she was telling me what was on her mind. She had been thinking of the
reason why people search for conspiracy theories. Recently in US History we
have learned about the illusion of American Omnipotence, the concept that the
US has decided to make everyone’s business their own, feeling that they have
the right to do so. Quyen related the US needing to know everything to the individual
level of every person who creates conspiracy theories. As she was explaining, I
stopped her mid-sentence in an exclamation because I realized a cool phenomenon.
I realized that in creating a theory about why people create theories, she was
doing exactly what she was explaining. In other words, I proposed to her that
she was proving her own point. While she was not necessarily stringing events
together and the like, she had a need to know what was going on, and projected
a theory upon the matter. It *coincidentally* happened that she was talking
about exactly that: placing theories on situations to fulfill intellectual desire.
Evidenced by what I saw Quyen doing, we have come to the agreement that it does
make sense that the motivation behind conspiracy theorists is related to the idea
to have a sense of awareness about information and their implications.
Partly
because of the motivation, I have also concluded, as mentioned, that conspiracy
theories often times fail to be believable. The desire to be aware of everything inherently lends itself to over supplying information. But DeLillo does manage to quench any feelings of
doubt you might expect when opening up Libra
for the first time (based on subject of the novel). Even though it is a narrative about the JFK
assassination, it is a fiction. Not a history, but a fiction. Returning to the
very first ideas of this course, acceptance of Libra is in accord with the idea that fiction has the potential to
be more believable than history. In the case of constructing a novel for the
events surrounding JFK, I believe that is absolutely true.
By "today," I am referring to Thursday, May, 15.
ReplyDeleteThis is a nice illustration of what is meant by "theory" in cases like this. The quasi-scientific language refers to something like an analytical hypothesis, a projection of some kind of narrative coherence or connectedness onto events and phenomena that may or may not be connected. But there's usually no clear way to verify what "connected" means--to prove such theories beyond a reasonable doubt. But that does not make them useless. We're always inclined to theorize; this is how we give shape to choas, to try and discern larger patterns of meaning. So Quyuen is theorizing the nature and operations of metanarratives of American influence. We can't "test" whether these are "really" in operation, but if the narrative makes sense as a way of grasping reality, that's as good as we can do.
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